“Beautyliesnotintheobjectitself,butintheinterplayofshadowsandlight，thedelicateripplesofdarknesscastbetweenobjects.Aluminouspearlshinesonlyinthedepthsofshadows,whileagemstonelosesitsallureunderdirectsunlight—withoutthepresenceofshadows,therecanbenobeauty.”—InPraiseofShadows,Jun’ichirōTanizaki

凪Nagi，在日语里的意思是风浪后的平静。项目坐落于都市繁华与自然静谧的交界处：黄浦江边滨江大道1368号。我们希望构筑一方风浪过后的归心之所，体会喧嚣背后的平静之美。

Nagi,meaning“calmafterthestorm”inJapanese,reflectstheessenceofthisproject.Nestledattheintersectionofurbanvibrancyandnaturalserenity—No.1368,BinjiangAvenue,alongtheHuangpuRiver—wesoughttocreateasanctuaryoftranquilityafterthestorm,aplacetorediscoverthebeautyofstillnessbeyondtheclamor.

▼项目概览，Overallview©刘松恺

▼石板转折铺陈，穿过疏林抵达，Awindingstonepathleadsthroughasparsewoods©刘松恺

青石板路转折铺陈，将人带入幽静的林间。木制格栅作为外立面界定了空间，暖光自格栅背后的和纸透出，引人趋近。

Awindingbluestonepathleadsvisitorsintothesecludedwoods.Woodenlatticesdefinethefacade,withwarmlightfilteringthroughwashipaperscreens,invitingapproach.

▼外立面，Facade©刘松恺

掀动黑色暖帘，迈入玄关，光线经立面水纹玻璃砖传递，在墙面漾开第一道涟漪。弧光勾勒出转角墙线，引导视线转向店招。“凪”字镌刻于透光白玉大理石，被背后漫射的柔光轻轻托起。

Liftingtheblackcurtain,guestsstepintothefoyer,wherelightpassesthroughtexturedglassbricks,castingthefirstripplesacrossthewalls.Asoftarcoflighttracesthecorner,guidingtheeyetowardthestorefrontsign.ThecharacterNagi,carvedintotranslucentwhitejademarble,appearstogentlyfloatonitbyadiffusedglow.

▼入口玄关，EntranceFoyer©刘松恺

▼光与影，入口端景，Lightandshadowoftherecessednichevignette©刘松恺

▼店名镌刻于透光玉石与玻璃砖水纹灯，Carvedlogoandripplelightofglassbricks©刘松恺

入户格栅门打开，正对一处凹龛端景。背后的黑色圆弧墙向两侧渐隐，恰似涟漪无声消退。射灯落下在地面形成一道温柔的光域，将摆件推出，在幽暗与微光的平衡中展露阴翳之美。

Beyondthelatticedoorliesarecessednichevignette.Acurvedblackwallrecedessubtlyoneitherside,likefadingripples.Aspotlightcarvesagentlepooloflightonthefloor,highlightinganartpiece—revealingthebeautyofshadowsinthebalanceofdarknessandsoftillumination.

▼端景凹龛，Therecessednichevignette©刘松恺

抚着幽暗长廊的木纹肌理前行，长谷川等伯的《松林图》在弧形和纸玻璃屏风上展现，那些用干笔勾勒的松枝在光影中更为生动。底部的黑色大理石呈现出由静至动的波纹造型，当松影被侧光投至水域，粼粼波光中仿若惊起暗藏的水声。

Movingalongthetexturedwoodenwallsofthedimlylithallway,HasegawaTōhaku’sShorinzubyoubuunfoldsonwashi-glassscreens,thedry-brushedpinebranchesanimatedbyshiftinglight.Below,blackmarbletransitionsfromstillnesstomotioninwave-likepatterns.Aspineshadowsfalluponthe“water,”theplayoflightisreminiscentofthefaintsoundofhiddenripples.

▼松林屏风，风波微起，Screenofpinetrees,ripplesstirsoftly©刘松恺

转至板前，两片巨大的弧形墙体如手握般嵌合，分别自头顶上方与背后两侧温和包裹，将所有目光汇聚于主厨的料理舞台。主厨师傅至一侧门帘走出，静立于整面弧形大理石中央。

AttheItamaearea,twosweepingcurvedpanelsconvergelikeclosedpalms,gentlyenvelopingguestsfromaboveandbehind,focusingallattentiononthechef’sstage.Thechefemergesfrombehindacurtain,standingframedbyacurvedmarblewall.

▼板前入口，TheentrancetotheItamaearea©刘松恺

▼弧线相互嵌套包裹的空间，Aspaceenvelopedbyinterlockingnestedcurves©刘松恺

一整列格栅吊灯巧妙调和了两种照明手法，令空间光线由柔和的背景光渐次过渡到桧木台面的聚光照明。当寿司呈于台前，明亮柔和的灯光让新鲜的鱼生仿佛可以看到指尖的温度。备餐区、衣帽间等辅助功能皆隐于背后，让所有焦点都凝聚在这场美食演绎之中。

Arowoflatticependantlightsmasterfullyblendsambientandspotlighting,transitioningfromsoftbackgroundglowtothefocusedilluminationonthehinokicounter.Assushiispresented,theglisteningsashimiseemstoretainthechef’stouchbathedintenderlight.Supportingspacesliketheprepareaandcloakroomarediscreetlyconcealed,ensuringthespotlightremainsontheculinaryperformance.

▼舞台化的板前照明，DramaticItamaeLighting©刘松恺

▼格栅吊灯，LinearGridPendantLight©刘松恺

▼格栅吊灯细节，LinearGridPendantLightdetail©刘松恺

透过格栅门回望走廊，人影松影交织。

Peeringbackthroughthelatticedoor,silhouettesoffiguresandpineshadowsintertwine.

▼板前回望，LookbackfromItamaearea©刘松恺

卫生间藏于走廊暗门之后，木质、镜面、黑石与微水泥形成细腻材质对比。

Hiddenbehindaconcealeddoorinthecorridor,therestroomcontrastswood,mirror,blackstone,andmicro-cementinaplayofrefinedtextures.

▼卫生间，Therestroom©刘松恺

几处空间转换皆以圆弧过渡，配合光影勾勒空间特质。

▼空间中的弧线，Curvesinthespace©UN-GROUP未集建筑

Keyspatialshiftsaresoftenedbyarcs,accentuatedbylightandshadow.

▼板前的弧线，CurvesintheItamae©刘松恺

▼材质细部，Materialdetails©刘松恺

玄关和景观区以平面曲线引导。入口处以水纹灯洗亮弧形墙面；景观凹龛孤灯一盏聚焦端景，搭配包裹式背景形成视觉停顿；卫生间入口隐于暗处；景观屏风则以整面灯光凸显《松林图》，尾端弧线指引客人转入板前。

Foyersandviewingareasareguidedbysingle-layercurves.Water-patternedlightingwashesthearchedwallattheentrance,whileasolitaryspotlighthighlightsthefocalpointinthevignette,framedbyawrappedbackdropforvisualpause.Therestroomentranceisdiscreetlytuckedaway,whilethelandscapescreenhighlightsShorinzubyoubuinawholesurfaceoflight,withitsendarcguidinggueststowardthediningarea.

▼入口水纹灯和弧形玻璃屏风，Ripplelightandcurvedscreen©刘松恺

板前区以三维曲线围合。入口处内凹转角形成节奏缓冲。顶部曲线延伸至大理石背景墙，内嵌灯带晕染出优雅弧度。背后曲面随光影渐隐，完成柔和的明暗过渡。温柔的弧线是悄然不觉的引导，也是模拟双手合握时寿司的温度。弧线随光影凸显,也因阴翳消隐，明暗间熠熠生辉。

ItamaeAreaisenclosedwith3Dcurves.Anindentedcornerattheentrancecreatesarhythmicbuffer.Thesweepingcurveascendsintothemarblefeaturewall,withembeddedlightingsoftlybleedsalongitscontour.Therecedingsurfacedissolvesintoshadow,weavingasilentgradientbetweenglowandgloom.Subtlecurvesguideunseen,echoingthewarmthofhandsshapingsushi.Theyemergewithlight,fadewithshadow,shimmeringbetweenbrightnessandshade.”

▼平面，Plan©UN-GROUP未集建筑

项目名称：凪Nagi设计方：UN-GROUP未集建筑项目地址：上海浦东滨江大道1368号建筑面积：82㎡施工图：上海呈煜空间设计有限公司施工方：上海禾桔装饰工程有限公司灯光顾问：StudioBLRR不热灯光设计工作室灯具厂家：上海奕昊照明有限公司玻璃屏风厂家：上海劲草工贸有限公司宣纸画制作厂家：上海搜美文化发展有限公司桧木厂家：庭下小桧摄影：刘松恺项目设计：2023年6月完成年份：2024年11月