项目坐落于日本爱知县。房主从社交媒体和杂志上收集了大量关于住宅建筑的照片，包括：家具、照明、各种饰面、设备、储藏策略、窗户区域的妙用等。但这些意象案例并不总是能够协调的组合在一起的，例如有些照片是裸露的混凝土外墙，有些是木质镶板外墙，有些是酷酷的极简主义室内设计，还有些是堆满家具的较为杂乱的室内照片。而房主希望能够让方便合理的收纳理念与古色古香的家具齐头并进。

AhousebuiltinthesuburbsofAichiPrefecture.Theownerhadalargenumberofimagesofthehouse,includingfurniture,lighting,variousfinishes,equipment,storageideas,anduseofthewindowarea,whichhehadcollectedfromSNSandmagazines.Theimageswerenotalwaysconsistent;somewereofbareconcreteexteriors,somewereofwood-paneledexteriors,somewereofcoolminimalistinteriors,andsomewereofchaoticinteriors.Convenientandrationalstorageideasandtastefulantiquefurniturewereequallyaligned.

▼项目与周边环境鸟瞰，arialviewoftheprojectandsurroundingenvironment©TakayukiKuzushimaandAssociates

房主所收集的意向图以碎片化的形式呈现出他对于理想生活的想象，而设计师深知，当住宅在建造完成之后，其内部的空间还是会继续随着人们的生活不断发展变化。因此，设计团队并没有试图通过从大量的图像中挑选出几个元素来组成一个空间，而是在设计过程中衍生出一个能够让不同元素产生共鸣、和谐共处的整体框架。

Thesewerefragmentsofrequestsforanideallife,andIknewthattheywouldcontinuetochangedaybydayafterthecompletionoftheconstruction.Therefore,ratherthantryingtocomposeaspacebyselectingandchoosingfromalargenumberofimages,webeganthedesignprocessbyconsideringtheframeworkinwhichthevariouselementswouldoverflowandresonatewitheachother.

▼顶视图，topview©TakayukiKuzushimaandAssociates

▼庭院顶视图，topviewofthecourtyard©TakayukiKuzushimaandAssociates

项目场地坐落在一个安静的住宅区，呈平行四边形，周围排列着低矮的房屋。社区的十字路口并不是彼此正交的，小镇仍然保留了传统的不规则城市街区肌理。一开始，为了回应场地与建筑体量的关系，设计团队为该住宅构想了一个平行四边形的体量，但在规划内部布局时，这种四边形的体量显得十分不自然，并且与城镇的肌理相互割裂。因此，建筑师将这个四边形体量划分为几个小体量，每个小体量都与场地边界保持着独立的关系。

▼平面图，plan©TakayukiKuzushimaandAssociates

Thesiteisaquietresidentialarealinedwithlow-risehouses.Theintersectionsintheneighborhoodarenotorthogonaltoeachother,andthetownstillretainsitstraditionalirregularshapeofthecityblock.Thesitealsohasaparallelogramshape.Atfirst,wewereconsideringaparallelogram-shapedvolume,butwefeltitunnaturalthatweneededtothinkabouthowtocarveouttheinterior,apartfromtherelationshipbetweenthesiteandthevolume.Itseemedtomethatthestructureofthetownandthestructureofthehousewerenotcontinuous.Therefore,wedividedthevolumeintoseveralvolumes,eachofwhichshouldbedirectlyoppositetotheboundarylineofthesite.

▼街道视角，streetview©TakayukiKuzushimaandAssociates

▼主入口与露台，entranceandterrace©TakayukiKuzushimaandAssociates

考虑到房主的要求，小体量的数目被定为七个，每个体量都面向城镇边界建造。体量结构的横梁位置从场地边界后退，并在场地大致中心的位置形成了一座庭院，作为远离城镇的空白空间。这座庭院将七个房间统一在一起，同时呼应了城镇街区的肌理。为了拓展房间的边界，在房间与房间之间创造出不同的区域，面向庭院的建筑立面均采用了大面积的玻璃，以连接彼此之间不同距离的房间。换句话说，这些房间是互相开放的。

▼七个功能体量分析，plansandelevationsofthesevenvolumes©TakayukiKuzushimaandAssociates

Thenumberofvolumeswassettoseveninconsiderationoftheclient’srequest,andsevenroomswerebuiltfacingtheboundarywiththetown.Thebeamsofeachroomaresetbackfromthesiteboundary,andacourtyardislocatednearthecenterofthesiteasablankspaceawayfromthetown.Thecourtyardisacollectionofroomsthatarebasedonthecharacteristicsofthecityblock.Inanticipationofthecreationofvariousareasbeyondtherooms,allthesurfacesthatborderthecourtyardaremadeofglasstoconnecttheroomsatvariousdistancesfromeachother.Inotherwords,theroomswereopeneduptoeachother.

▼庭院，courtyard©TakayukiKuzushimaandAssociates

▼庭院立面采用大面积玻璃，thefacadefacingthecourtyardwithlargeareaofglass©TakayukiKuzushimaandAssociates

▼仰视天井庭院，lookinguptothepatiocourtyard©TakayukiKuzushimaandAssociates

此外，通过使用三种类型的内墙处理手法（1、将柱子结构暴露出来；2、采用胶合板OS涂层；3、采用胶合板EP涂层），设计避免了空间的同质化，营造出活跃的空间氛围。同时，建筑师还认为这种方法能够将不同房间的墙壁彼此连接起来。这样一来，居住在这里的人们就能感觉到自己的房间和院子对面的房间在同一个区域内，而且远处的房间在感觉上甚至比隔壁的房间还要近。

Inaddition,byusingthreetypesofinteriorwallfinishes(1.columnsexposure,2.plywoodOScoating,3.plywoodEPcoating)whileavoidingunificationbyroom,Iconsideredawayinwhichthewallsofdistantroomscouldbeconnectedtoeachother.Bydoingso,onecanfeelthatone’sroomandtheroomacrossthecourtyardareinthesamearea,andthatthedistantroomiscloserthantheroomnextdoor.

▼室内概览，overallofinterior©TakayukiKuzushimaandAssociates

▼住宅采用木制结构，thetimberstructureofthehouse©TakayukiKuzushimaandAssociates

▼房间面向庭院打开，theroomsopentothecourtyard©TakayukiKuzushimaandAssociates

▼庭院为室内引入充足光线，thecourtyardintroducenaturallightintotheinterior©TakayukiKuzushimaandAssociates

▼模糊的室内外界限，blurredinteriorandexteriorboundary©TakayukiKuzushimaandAssociates

▼结构细部，detailofthecolumn©TakayukiKuzushimaandAssociates

三种内墙饰面以及一种外墙饰面，就如同CMYK墨水一般，在建筑的不同位置创造出各种各样的色彩组合。七个房间的最原始构成逐渐因各种家具陈设而变得丰富起来。在这里，散落在房间周围的家具、照明和各种各样的小摆设和玩具也作为空间的元素参与进来，并相互共鸣，成为日常生活的一部分。

Thefourfinishes,threeontheinteriorwallsandoneontheexteriorwalls,createavarietyofcolorsineachlocation,liketheinkthatiscreatedbyCMYK.Thecompositionofthesevenroomsisreplacedbyanaccumulationofmanyplaces.Here,furniture,lighting,andmiscellaneousknick-knacksandtoysscatteredaroundtheroomsalsoparticipateaselementsofthespaceandresonatewitheachotheraspartofdailylife.

▼客厅，livingroom©TakayukiKuzushimaandAssociates

▼客厅细部，detailofthelivingroom©TakayukiKuzushimaandAssociates

▼充足的储物空间，amplestoragespace©TakayukiKuzushimaandAssociates

▼餐厅，diningarea©TakayukiKuzushimaandAssociates

在设计这所住宅时，建筑师考虑了城镇的历史与肌理，以及与房间内无限延伸的时间流逝共存的可能性。建筑的结构和饰面在不同的层次上与这些元素联系在一起。可以说，这座住宅是一个“房间”的集合，同时也是城市景观和日常生活之间的交汇点。

Idesignedthishousewhilethinkingaboutthestructureandhistoryofthetownthatexistsoutsidetherooms,andaboutthepossibilityoflivingwiththepassageoftimethatextendsendlesslyinsidetherooms.Thestructureandfinishesofthehouseareconnectedtotheseelementsatvariouslevels.Thishouseisacollectionofroomsasanintersectionbetweenthelandscapeofthetownanddailylife.

▼卧室，bedroom©TakayukiKuzushimaandAssociates

▼模型，model©TakayukiKuzushimaandAssociates

▼剖面图1，section1©TakayukiKuzushimaandAssociates

▼剖面图2，section2©TakayukiKuzushimaandAssociates

▼剖面图3，section3©TakayukiKuzushimaandAssociates